Mt. Washburn
Photo | @laurenbledsoe (at Yellowstone National Park)

thatkindofwoman:

staff:

Today’s the day. The day you help save the internet from being ruined.

Ready? 

Yes, you are, and we’re ready to help you.

(Long story short: The FCC is about to make a critical decision as to whether or not internet service providers have to treat all traffic equally. If they choose wrong, then the internet where anyone can start a website for any reason at all, the internet that’s been so momentous, funny, weird, and surprising—that internet could cease to exist. Here’s your chance to preserve a beautiful thing.)

Our generation needs to become aware of this, I called and left a Message with my Senator Pat Toomy, I’m not demanding that you do, but imagine the internet changing drastically. 

Please sign the petition and share if you support the cause. It honestly takes 45-60 seconds. This is far more important than anything else on your dashboard. 

myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram

myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.

Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11Twitter | Instagram


Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

Episode 13: Unafraid of the Dark, Cosmos: A SpaceTime Odyssey

(via gthegentleman)

It’s clear that our societies have an investment in preventing us from exploring where altered states of consciousness will lead us. Perhaps there is a deep fear that if we do explore those altered state of consciousness, we will not accept the power structures and the fairytale illusion of material wealth that we’re all brought up to pursue as though that’s the only thing to existence.

 If I, as an individual, am not sovereign over my consciousness, if I cannot decide what to do with my consciousness, which is the heart of my being, then I am not free, and I need not talk about freedom or living in a free society, or such issues as democracy, if my society will not allow me to explore my consciousness. If, in an altered state of consciousness, my behavior is disruptive in the public arena, then that behavior should rightly be controlled by society. But the personal and private exploration of our own consciousness is our own business, in my view, and is not the business of the State.”

- Graham Hancock

Artist: Fabian Oefner

Lake Mary
Lake Martha

#getoutandexplore
Photo | @jowanza (at Lake Catherine Trail - Big Cottonwood Canyon)

Above the clouds
Above the crowds
Where the sounds are original

#getoutandexplore
Photo | @jpfruitco (at Mt. Timpanogos)

Sunrise at the summit
#getoutandexplore
Photo | @jpfruitco (at Mt. Timpanogos)